Map the Korea
Exhibition Identity 2012	The 4482 [sasapari] project itself is a site for projecting gatherings, multiplicity, conflicts and compromises, and also for encountering ideas, references, connections, participations and relationships. Through this active mapping process, its artistic practice and curatorial approach facilitate a decentralised and collaborative form of creativity through which the alternative art event can be fostered.	As reworked with the given fragments of idiosyncratic artworks, the unexpected map of Korean art in foreign British terrain enacts an imaginative capacity to make different forces and layers of cultures and communities in time resonate together productively. A montage of multiple and independent art pieces incorporated in the exhibition unfolds new dialogues of hidden potential, responding to the five subjects: object, site, time, subjectivity, and method that are often important topics in the art world. The map now sets the stage for future work,3 embracing the contingency and uncertainty of future narratives.	next previous
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